The end of the world as we know it (5): New creation

At the end of the previous post I wrote that Polkinghorne sees embodiment as essential to what it means to be human, partly because of the interrelatedness that is an intrinsic feature of all things. A self existing in isolation is, if not a contradiction in terms, at least living an extremely diminished and attenuated life. Consequently, the biblical image of the “new creation” points toward a very different state of affairs than the ethereal bodiless idea of heaven we sometimes imagine.

Polkinghorne thus suggests “a destiny for the whole universe beyond its death” (p. 113). To create a suitable environment for a resurrected humanity, God will transform the entire physical cosmos into a new form. Just as the matter of Jesus’ dead body was transmuted into the stuff of his glorified risen body, so the humble material of the cosmos will be taken up into an everlasting destiny.

Just as the matter of our present universe possesses specific properties that allow for the development of life, the matter of the new creation will be specially suited to life there. And moreover, the entire cosmos will be “transparent” to the divine presence: “The new creation will be wholly sacramental, suffused with the presence of the life of God” (p. 115). And the “laws” of this new universe will, unlike our present world, be adapted to unending life rather than intrinsically involving the cycle of life and death.

Polkinghorne insists that there will be both continuity and discontinuity between the old and new creations, in keeping with his central principle. The new creation is not another creation ex nihilo, but a redemptive act that draws the new out of the old. The old creation provides the “raw material” for the new creation, one that will continue to be constituted (though in a new way) by space, time and matter. Polkinghorne denies that the new creation will be an eternal (timeless) state of being; instead, he says following Gregory of Nyssa, we will spend everlasting ages moving more and more deeply into the inexhaustible mystery of the divine nature.

One of the consequences of Polkinghorne’s view that the old creation is, in some sense, the raw material of the new is that it gives some account of why God created this world in the first place:

The pressing question of why the Creator brought into being this vale of tears if it is the case that God can eventually create a world that is free from suffering, here finds its answer. God’s total creative intent is seen to be intrinsically a two-step process: first the old creation, allowed to explore and realise its potentiality at some metaphysical distance from its Creator; then the redeemed new creation which, through the Cosmic Christ, is brought into a freely embraced and intimate relationship with the life of God. (p. 116)

What makes this an explanation of the sufferings of the present world? The idea seems to be that, in order to allow creation to develop freely, God had to hide, or at least dim, the divine presence. This allowed creaturely freedom, but also introduced the possibility of sin. At the same time, the laws that govern the development of the cosmos seem to intrinsically involve the possibility of suffering. “Its unfolding process develops within the ‘space’ that God has given it, within which it is allowed to be itself” (p. 114).

This is a question we’ve tackled here before: is suffering an intrinsic feature of life in this universe because of the constitution of the laws that govern it? Or is the world as we experience it fallen from a primeval state of perfection? Polkinghorne opts for the first answer, but with the proviso that the universe is on its way to being something different. His proposal has the virtue of investing what we do here and now with a certain importance: there are aspects of the present world that will persist in the world to come. If we foster beauty, harmony, and excellence in this world, we can hope that they will be drawn up into the next and reflect the divine glory.