A Thinking Reed

"Man is but a reed, the most feeble thing in nature, but he is a thinking reed" – Blaise Pascal

Friday metal – unapologetic hair metal edition

Hair metal has become synonymous with late-80s excess and VH1 ironic nostalgia specials. Many people consider the advent of grunge as something akin to divine providence due to its role in sweeping the radio clean of the scourge of hair (a.k.a. glam) metal.

Now, I’d be the last one to deny that there were some talentless overexposed glam bands. But there were also some genuinely talented bands that wrote some pretty good rock songs. (And, let’s not forget: grunge itself quickly become overexposed to the point of self-parody; it didn’t help that every record company was frantically signing second-, third-, and fourth-rate flannel-clad Nirvana and Pearl Jam sound-alikes.) Every genre of music has some original talent. Even the much reviled boy band and pop tart craze of the early 00’s produced some genuinely talented artists like Justin Timberlake and Christina Aguilera.

So, here’s a little sampling of some good glam metal:

First, Mötley Crüe, an early track, “Live Wire.” This is raw, punk-tinged rock played by guys who happen to look a lot like girs (except for the unfortunately homely Mick Mars). Also: Nikki Sixx gets set on fire in this video. Diagnosis? Awesome.

Poison, “Talk Dirty to Me” – I once saw an interview with Poison where they were asked about jumping on the hair metal bandwagon. Their response? “We built the wheels on that f—— wagon!” (Paraphrased from memory). But look: these guys just wrote some darn catchy songs, of which this is a premier example.

Skid Row – “Monkey Business.” These guys kind of straddled the line between hair metal and just plain metal. In fact, I once saw Sebastian Bach (post-SR) open for Anthrax and Pantera. On the other hand, they were not above a little power ballad action. But definitely a cut above many of their competitors.

Gn’R – “Sweet Child O’ Mine” – it’s debatable if they should even be considered glam metal – they definitely had glam influences, but also punk, blues, and straight-up rock. In some ways they were the death rattle of glam metal – overlapping with the grunge era. And they injected some much-needed sleaziness and meanness into a genre that had become too bubble gum (compare, e.g. Winger). Appetite for Destruction (released 20 years ago!!) still holds up. Will Chinese Democracy ever see the light of day? Axl only knows.

4 responses to “Friday metal – unapologetic hair metal edition”

  1. I’m not afraid of quoting myself, so let me refer you to this post:

    http://marvinlindsay.typepad.com/avdat/2006/11/every_rose_has_.html

    in which I blog about how G ‘n’ R was both a bridge between hair bands and grunge and the undertaker for the former.

    I can’t listen to Sweet Child O’ Mine without crying. It’s a beautiful song.

    I don’t have much use for anything by Poison, but I love “I Remember You” by Skid Row. That’s the greatest HairBandBalladThatReallyRocksToo song out there.

    I never cared much for Bon Jovi at the time but there was this one song that I really liked, but I can’t remember it now. I can remember all the stuff I didn’t like, Bad Medicine, Livin’ on a Prayer, but the one I did like has flown out of my mind. Guess I’ll have to borrow somebody’s Bon Jovi CD collection and listen to each track.

    And BTW, I love that PE song you put up last week.

  2. I don’t even really consider GNR a guilty pleasure – that’s just a good rock album. (You could probably cull an album’s worth of really solid stuff from Use Your Illusion I&II, but they’d moved firmly toward self-indulgence at that point.)

    The Onion’s AV Club had a great interview with Slash last week I think it was. They asked him if he felt perpetually in the shadow of Appetite for Destruction and he essentially said no – it’s great to have something that good as part of his history. A surprisingly healthy attitude, I thought.

    http://www.avclub.com/content/interview/slash

    Bon Jovi – I always liked “Runaway.” And I will admit to being a bit of a sucker for the cowboy themed songs – “Blaze of Glory” and “Wanted: Dead or Alive,” corny as those are. And the recent video where they’re building a Habitat for Humanity home in Philly is goofily endearing.

  3. I don’t actually think of GnR as a bridge band (and when I say GnR, I have in mind Appetite/Lies era). They are simply too much of a retro-bar-band, far more George Thoroughgood than Nirvana. To say that GnR failed to be a pivotal cultural signpost is no slight–I agree that they are a band that one can justifiably love without guilt. Still, I don’t think that they were significant in the sortof music culture historiography. A better assessment, I think, is that they had much better taste than other bands that played in their scene and should rightly be remembered for that.

    IMHO, a better example of a metal-grunge bridge band is Alice in Chains. Maybe Melvins (kinda obscure though).

    As for the other videos, I love early and even mid-period Crue.

  4. I think GNR can be said to be a bridge of sorts insofar as they injected a sense of (for lack of a better term) “authenticity” into the scene that was sorely lacking in most hair metal. (I think this is part of what Marvin was getting at in the post he linked above.) I continue to think of grunge as a (short-lived) rebellion against corporate rock which was iteself corporatized in short order. But, yeah, stylistically, you can make a better case for someone like Alice in Chains (or even Soundgarden) being a bridge between metal and grunge. Whereas Nirvana seemed to owe much more to a punk ethos (not that punk and metal have been wholly separable since the 80s).

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