Here’s an article about a trend among churches using the “contemporary” praise-band-and-overhead-screen format to reintroduce what some are calling a “classic service,” complete with choir and hymnals:
No one can dispute that the contemporary-style worship has helped churches grow by pulling in “unchurched” young and middle-age people, who tend to like the informality and rock-influenced music. It is still far more common to see a mainline church experimenting with a contemporary service than a contemporary-style church trying out tradition.
But some students of the contemporary style say that much of its music lacks the melodic sophistication of enduring hymns, or the poetry and doctrinal depth of lyrics penned by such writers as Charles Wesley (“Love Divine, All Loves Excelling”), Isaac Watts (“When I Survey the Wondrous Cross”), Fanny Crosby (“Blessed Assurance, Jesus Is Mine”) or Thomas Dorsey (“Precious Lord, Take My Hand”).
And while traditional worship can be stiff and uninvolving, the contemporary experience – music, big screens, mood lighting – is often derided as “church lite.”
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