I’ve noticed a spate of articles recently on churches trying to make themselves more “hip” to appeal to teens and twentysomethings (Here’s one for instance. Here’s another.). This seems at least loosely connected to the “emerging church” phenomenon which is, among other things, trying to recover (or invent?) a more “authentic” and “meaningful” style of worship than you might find at your typical suburban megachurch. Often this takes the form of trying to incorporate more pop-cultural elements into worship.
From the Inquirer article:
The unconventional outreach also happens through the “emerging-church” movement, a loose conglomeration of congregations in Philadelphia and elsewhere that provide worship with a flair for the tattooed generation.
Philadelphia native Tommy Kyllonen, a pastor at hip-hop oriented Crossover Community Church in Tampa, Fla., is at the forefront of that movement. He dims the lights and pumps fog through his sanctuary to evoke a concert atmosphere – saying it calms the many teens and 20-somethings, most of them Latino, at the services.
Kyllonen, 31, estimated that about 80 percent of them rarely attended church before coming to Crossover. He said he gets gushing praise for the MTV knockoffs he plays during sermons, the live DJ who performs on Sundays, and the reformed strippers, ex-cons and drug dealers who testify at services.
Now I don’t want to downplay the importance of reaching out to people in a way that will resonate with them and draw them into the life of the church, but I’ve always been skeptical that the best approach for the church was to mimic (usually in an inferior way) the trappings of a market-driven mass culture that constantly thirsts after the latest fad. Nowadays “authenticity” can be as much a marketing gimmick as anything.
Moreover, should the church be involved in the kind of cultural and social one-upmanship and status-seeking that the quest to be “cool” or “hip” necessarily entails? In fact, isn’t a sign of maturity when you give up on the quest to be cool? I would hope that most of us have abandoned the desire to be hip by at least sometime in our late 20’s, if “hip” means aping what the culture is feeding us.
If we’re going to talk about making the church “relevant,” I think this bit of advice from Lutheran theologian Robert Jenson has a lot to commend itself:
One of many analogies between postmodernity and dying antiquity-in which the church lived for her most creative period-is that the late antique world also insisted on being a meaningless chaos, and that the church had to save her converts by offering herself as the narratable world within which life could be lived with dramatic coherence. Israel had been the nation that lived a realistic narrative amid nations that lived otherwise; the church offered herself to the gentiles as their Israel. The church so constituted herself in her liturgy.
For the ancient church, the walls of the place of Eucharist, whether these were the walls of a basement or of Hagia Sophia or of an imaginary circle in the desert, enclosed a world. And the great drama of the Eucharist was the narrative life of that world. Nor was this a fictive world, for its drama is precisely the “real” presence of all reality’s true author, elsewhere denied. The classic liturgical action of the church was not about anything else at all; it was itself the reality about which truth could be told.
In the postmodern world, if a congregation or churchly agency wants to be “relevant,” here is the first step: it must recover the classic liturgy of the church, in all its dramatic density, sensual actuality, and brutal realism, and make this the one exclusive center of its life. In the postmodern world, all else must at best be decoration and more likely distraction.
In the liturgy we are transported to heaven and given a vision of the Eschaton:
Late antiquity suffered and lamented the same blindness with which postmodernity is afflicted, the same inability to see any Fulfillment up there before us. Gradually, as the church worked out the theology, the church made herself a place of such seeing. She did this with the icons of the East and the windows and statues of the West. Protestantism supposed that folk in the civil society already envisioned glorious Fulfillment, and needed no specific churchly envisioning, and therefore Protestantism for the most part eliminated the images and even where it retained them forgot how to use them. Protestantism’s reliance on the world was here too an illusion, but here too an illusion it got away with for modernity’s time. That time is over.
If we are in our time rightly to apprehend the eschatological reality of the gospel promise, we have to hear it with Christ the risen Lord visibly looming over our heads and with His living and dead saints visibly gathered around us. Above all, the church must celebrate the Eucharist as the dramatic depiction, and as the succession of tableaux, that it intrinsically is. How can we point our lives to the Kingdom’s great Banquet, if its foretaste is spread before us with all the beauty of a McDonald’s counter?
If Jenson is right, then the issue is less about “traditional” vs. “contemporary” hymns or whether the church should feature a praise band, but more about recovering the eschatological heart of the Gospel. Only when the church has something that can’t be found in the MTV world will it really be “relevant.”
I’ve just started Alexander Schmemann’s For the Life of the World, which is, among other things, about the Eucharist as the heart of what it means to be human and Christian, and what he says seems to echo Jenson in crucial respects. In the liturgy, says Schmemann, we are “immersed in the new life of the Kingdom”:
The early Christians realized that in order to become the temple of the Holy Spirit they must ascend to heaven where Christ had ascended. They realized also that this ascension was the very condition of their mission in the world, of their ministry to the world. For there-in heaven-they were immersed in the new life of the Kingdom; and when, after this “liturgy of ascension,” they returned into the world, their faces reflected the light, the “joy and peace” of that Kingdom and they were truly its witnesses. … They were witnesses, and when they were asked, “Whence shines this light, where is the source of this power?” they knew what to answer and where to lead men. In church today, we so often find we meet only the same old world, not Christ and His Kingdom. We do not realize that we never get anywhere because we never leave any place behind us. (p. 28)