A great new track from PE’s 20th anniversary album(!) How You Sell Soul to a Soulless People Who Sold Their Soul???
Category: pop culture
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Bono fatigue
I was reading this somewhat interesting piece on “emergent” Christians in Austin, TX and found myself pondering a deep mystery: why are all these post-evangelical, post-conservative, post-modern, post-whatever Christians so into U2?
“For the emerging churches, (church is) not a place, it’s a people,” Gibbs said. “It’s not a weekly gathering; it’s a seven-day-a-week community. And you don’t go to church; you are the church.”
That doesn’t mean emerging Christians have turned their back on observing the sabbath, but their services are a far cry from what many grew up with. They might use literature and poetry in the liturgy or play U2 and Van Morrison songs before and after the service.
[…]
Charles Whitmire, pastor of Crestview Baptist Church, began noticing that the young professionals moving into the church’s North Austin neighborhood would rather go for a bike ride on Sunday morning than sing “The Old Rugged Cross” with a congregation where the median age is 70.
So with his members’ support, he established Phoenix Church of Austin earlier this year. Whitmire leads the evening services in the sanctuary, and his first service included references to Bono and David Letterman and featured a driving rock band. Whitmire, an avid cyclist and screenwriter who fits the demographic he’s trying to reach, had bumper stickers made up that said “Make Church Weird.”
I don’t really have an opinion one way or the other on the value of the whole emergent/emerging church thing. A lot of it seems to me to be a kind of intra-evangelical dispute with younger people breaking away from the bland megachurches and Republican politics of their elders. So, I take it that part of what it’s trying to do is to appeal to “da yoots.”
Hence my question: what’s the deal with all the U2? U2 is old people’s music! (By which I mean music enjoyed by people my age.)
I mean, I like U2 as much as the next guy (well, some of their stuff, anyway), but are they really that big among people, say, under the age of 25? (This is not a purely rhetorical question; maybe they are.)
Part of the whole U2 obsession (extending even into the stolid mainline with “U2charists” and the like) no doubt has to do with Bono’s status as vaguely Christian global do-gooder. And, yes, you can find all kinds of religious themes and references in U2’s music. But I can’t help but wonder whether gen-x goateed “emergent” pastors aren’t doing the same thing that Baby Boomer evangelicals did: projecting their ideas of what’s cool onto the young people they’re ministering to. All the facial hair, tatoos, grunge-y rock, candles, and angst – it’s sooo 1990s, people!
On the other hand, if someone wants to put on a Killswitch Engage eucharist, I might be interested…
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Elvis and race
This article by the author of the definitive two–volume Elvis biography attempts to dispel the strangely persistent rumor that Elvis was racist. Some very interesting stuff about how Elvis broke down racial and musical barriers (via Unqualified Offerings).
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Tom Snyder, Joe Strummer, and Johnny Rotten
Veteran talk show host Tom Snyder has passed away. Josh has dug up a couple of fascinating clips of him interviewing the Clash and John Lydon (nee Rotten).
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“May the Force be with you.” “And also with you!”
Last night I gave a presentation on “The Gospel According to Star Wars” under the auspices of our parish’s “Theology on Tap” series. This barmy idea was cooked up by me and our curate after a couple of beers at last summer’s parish picnic, but I think it went well all things considered. The people attending seemed to enjoy it and there was some good discussion afterwards.
You can see the text I used as the basis of my presentation here. Regular readers with good memories may recognize some of the ideas as having germinated in this post.
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Paris Hilton: scapegoat
I find myself in the rare position of agreeing with Christopher Hitchens on this.
So, what’s the deal here? Is it that we feel ashamed for paying so much attention to Hilton, et al. that we heap scorn and derision on her at the first opportunity in order to feel better about ourselves?
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We’re all lost
I agree entirely with the spirit of this article. The point of Lost, I’ve always thought, isn’t to “solve” the mysteries, whatever that might look like. I see it as essentially a metaphor for the human condition – we’re thrown into this world that may or may not have a larger meaning. Things are ambiguous; there’s just enough evidence to support a variety of interpretations, but not enough for one to be overwhelmingly obvious. All the characters (and, by extension, the viewers) are trying to find meaning in a world that may or may not have any. Locke, more than any of the other characters, embraces the idea that there is an overarching purpose at work, and is therefore characterized in several episodes as a “man of faith.” Jack could be taken to represent the Enlightenment belief in human rationality, Sawyer is ruthless social Darwinism, etc. These all represent different ways of responding to the world. I think it was Gabriel Marcel who distinguished betwee a problem, which is something to be solved, and a mystery, which is something to be entered into. Lost offers a mystery in this sense: the characters enter into their strange surroundings and cobble together more-or-less coherent responses to them. It’s all very existentialist.
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VI top 6 albums of 2006
Sheerly based on personal preference and in no particular order:
1. Mastadon, Blood Mountain
2. Neko Case, Fox Confessor Brings the Flood
3. Johnny Cash, American V: A Hundred Highways
4. Decemberists, The Crane Wife
5. Trivium, The Crusade
6. Jars of Clay, Good Monsters