A Thinking Reed

Month: July 2010

  • Heart of Christianity 4 – God

    In chapter 4, “God: The Heart of Reality,” Borg continues his now tried-and-true approach of contrasting aspects of the earlier paradigm and the emerging paradigm. Here he discusses the nature and character of God.

    Borg calls the earlier paradigm’s concept of God supernatural theism. This concept identifies God as a transcendent, personal being who created the universe and may occassionally intervene within it to engineer certain outcomes.

    By contrast, the emergent paradigm embraces panentheism, a notion that has received a fair bit of attention in contemporary theology, from such diverse quarters as Jurgen Moltmann, thinkers associated with the science-and-religion dialogue, and process theology. In supposed contrast to supernatural theism, panentheism emphasizes the “closeness” of God to the created world (pan + en + theos = “all things in God”).

    According to Borg, supernatural theism sees God as “out there,” as fundamentally separate from the world, which largely operates according to its own laws and nature. For God to have any influence on the world, God must “intervene” by “breaking” those laws. It also, he says, has contributed to an ecologically desctructive view of the natural world by minimizing the presence of God in the world.

    Panentheism, on the other hand, emphasizes the immanence of God. God is the “encompassing Spirit… the one in whom ‘we live and move and have our being’” (p. 70). God is thus not absent from creation, but includes it, even while transcending it. Borrowing a phrase from Lutheran theology, God is “in, with, and under” creation, or a “presence beneath and within our everyday lives” (p. 67). Borg says that instead of using the language of “intervention,” panentheism uses terms like “divine intentionality” or “divine interactivity” to describe God’s relation with the world (see p. 67).

    A critic of Borg might well say that his description of supernatural theism is a straw man. For instance, what proponent of traditional theism has actually denied the immanence (or omnipresence) of God? Relatedly, it’s not clear to me that panentheism solves all the alleged problems of classical theism, at least not without a great deal more fleshing out than Borg gives it here–and it may introduce new ones of its own. Nevertheless, with the popularity of the slot-machine God of “prosperity” preaching and the all-determining deity of neo-Calvinism, fresh thinking about God and God’s relationship to creation is definitely needed.

  • Play it again, Sam

    I feel like I kept circling around the same points in the last couple posts, but was having a hard time saying anything very clear about them. This sent me back looking through my archives, and I found a whole bunch of posts trying to stake out a similar middle path between overly confident conservatism and deflationary liberalism. It’s funny how much of my blogging consists of trying to make the same points over and over again in slightly different language. Or maybe it’s depressing. Or maybe it shows an admirable intellectual consistency… Anyway, here’s a sampling:

    – “Faith and factuality”

    – “The Virgin Birth: Does it matter?”

    – “He rose again on the third day…”

    – “What kind of resurrection?”

  • Fact, metaphor, and the Bible: the case of the Resurrection

    “If Christ has not been raised, your faith is futile.” – St. Paul

    I’m trying to get clear on the extent to which I disagree with Marcus Borg’s take on the “metaphorical” nature of the Bible, so I thought it might be useful to look at his treatment of the Resurrection of Jesus.

    Borg writes that he sees the “truth of the Easter stories” as twofold:

    Jesus is a figure of the present and not simply of the past. He continued to be experienced by his first followers after his death and continues to be experienced to this day. It’s not just that his memory lived on or that his spirit lived on, as we sometimes speak of the spirit of Lincoln living on. Rather, he was and is experienced as a figure of the present. In short, Jesus lives.

    Not only does Jesus live, but “Jesus is Lord.” In the New Testament, this is the foundational affirmation about Jesus, and it is grounded in the Easter experience. To say that Jesus is Lord is to say more than simply that Jesus lives. It means that he has been raised to God’s right hand, where he is one with God. And to affirm that he is Lord is to deny all other lords. (Heart of Christianity, p. 54)

    Borg continues:

    Because I see the meaning of the Easter stories this way, I can be indifferent to the factual questions surrounding the stories. For example, was the tomb really empty? Was his corpse transformed? Did the risen Jesus really eat a fish? Did he appear to his disciples in such a visible, physical way that we could have videotaped him if we had been there?

    For me, the truth of the Easter stories is not at stake in these questions. For example, the story of the empty tomb may be a metaphor of the resurrection rather than a historical report. As metaphor, it means: you won’t find Jesus in the land of the dead. As the angel in the story puts it, “Why do you look for the living among the dead?” The truth of the Easter stories is grounded in the ongoing experience of Jesus as a figure of the present who is one with God and therefore “Lord.”

    Obviously, a lot of Christians would disagree with Borg about the relative (un)importance of the details surrounding the Resurrection. But I think his is a reasonable position for someone to take. What requires a bit more clarification, I think, is the status of the Resurrection itself. And this is where I think the opposition between “fact” and “metaphor” muddies the waters a bit.

    This is because, for Christian faith, the Resurrection is a fact in the sense that it is something that happened–an event that makes a difference to the way things go for the world. But it isn’t something that can be straightforwardly described using the language and concepts drawn from our run-of-the-mill experience. The Resurrection–like the other great hinges of the Christian faith (e.g., creation and final consummation)–is rooted in a Reality that goes beyond the mundane world of space and time.

    Consequently, the language we use to describe it is, of necessity, metaphorical, symbolic, even “mythical.” We see this in the NT accounts of the appearances of the risen Jesus. He is “physical” in some sense, but his body also behaves in ways that are quite atypical for a physical object (changing its appearance, appearing inside locked rooms, etc.). Whatever judgments we might want to make about the factuality of these accounts, the paradoxical language points to the fact that the disciples and those to whom they handed their tradition took themselves to be dealing with a reality beyond the bounds of the ordinary. We could say the same about the other details Borg mentions (the empty tomb, the angels): they may not themselves be “factual,” but they point to a fact.

    This is why talking about the Resurrection as “metaphor” could obscure some fundamental distinctions. Sometimes when people talk like this what they mean is that the stories of the Resurrection are just illustrations of some general “spiritual” truth, such as that new life comes through suffering or some such. But Christian faith stands or falls on something much more concrete and specific than that: that the man Jesus who was crucified lives on in the power of God and that this makes all the differences for our lives and for the world. As C.S. Lewis would say, it’s a myth (or metaphor) become fact.

    Again, I don’t know whether or not Borg would disagree with this. But I think his discussion could’ve brought these distinctions out more clearly.

  • Friday Metal: Soilwork, “Two Lives Worth of Reckoning”

    The new album, The Panic Broadcast, comes out next Tuesday.

  • Heart of Christianity 3 – Bible

    Unlike his take on faith, I found Borg’s treatment of the Bible surprisingly weak. He starts out by saying that Christianity is centered on the Bible because it points to God, but that the Bible has become a stumbling block for many because of biblical literalism. Literalism, according to Borg, puts an undue emphasis on 1. infallibility, 2. historical factuality, and 3. moral and doctrinal absolutes.

    By contrast, his emerging paradigm is 1. historical, 2. metaphorical, and 3. sacramental in its treatment of the Bible. Let’s unpack that a bit:

    Historical: The Bible, Borg says, is a human product, created by two historical communities (Israel and the early Christian communities). It tells us how these communities saw their life with God, but, as such, it is historically and culturally conditioned. The Bible should be interpreted in its historical context–as texts written from and to particular communities.

    Metaphorical: Borg defines metaphor as the non-literal but “more-than-literal” meaning of a text. In his account, the more-than-literal is what matters most. For example, the Genesis creation story is primarily about God’s relation to us and the world, not whether the world was created in six 24-hour periods. Likewise, the circumstances of Jesus’ birth as reported in the gospel (the virgin birth, the star of Bethlehem, the wise men, the shepherds, etc.) have rich symbolic meaning that doesn’t depend on their historical factuality.

    Sacramental: The Bible is a “means of grace” whereby God becomes present to us. In personal or public devotional reading of scripture (e.g., lectio divina) we can hear the Spirit speaking to us through the words of the text.

    For the emerging paradigm, Borg says, the Bible is fundamentally a “way of seeing” God and our life with God (metaphor) and a means or way that God speaks to us and comes to us (sacrament).

    I agree with Borg that much of the Bible can–and should–be understood metaphorically and that flat-footed literalism often misses the point. Borg’s key claim is that the stories have this meaning independent of their historic factuality, and, despite the importance of historical context, focusing on the question of “what really happened” detracts from their meaning. While true as far as it goes, I think this is an over-simplification.

    After all, the Bible is a different kind of literature from Shakespeare or Moby-Dick, or even the Bhagavad-Gita. Its spiritual or religious meaning depends, at least to some extent, on historical factuality. To take the most obvious example, Christian faith would collapse–or at least be radically different–if it turned out that Jesus of Nazareth had never lived or that he lived a life very different in character from the one depicted in the gospels (leaving aside how we could ever learn that this was the case).

    Historical truth does matter–even if we agree that there is a lot of mythical embroidery on the basic facts. The meaning of Jesus–the more-than-literal meaning if you like–would be a lot different with a different set of historical facts. This is because the Christian claim is that the divine life was actually lived out among us. I’m not sure Borg would deny this, given the work he’s done on the “historical Jesus” question, but he gives little indication–in this chapter at least–that the history matters much at all. (Which, as Jonathan pointed out, makes you wonder why getting the historical context right is so important.)

    Borg seems at times to want to replace a one-dimensional “literalist” interpretation with a one-dimensional “metaphorical” one. But I think he’s asking the concept of metaphor to do too much work here. (In fact, at times I think he’s using “metaphorical” to include every non-historical type of meaning, from “moral” to “theological” and “metaphysical.” This confuses more than it clarifies.). The Bible is more complex than a simple dichotomy between “literal” and “metaphorical” captures, and I think other approaches do more justice to that complexity.

  • Heart of Christianity 2 – Faith

    I liked chapter two, “Faith: The Way of the Heart,” not so much because it breaks any new ground, but because it clearly lays out what I (at any rate) find to be a helpful understanding of the nature of faith.

    Borg notes that some people criticize Christianity for being more about believing than being a way of life. While this criticism has some bite, he points out that Christianity was originally known as “the Way” and that faith is, properly understood, a way of life.

    Borg distinguishes four meanings of faith:

    – Faith as assent: This refers to giving one’s intellectual assent to the truth-claims of Christianity. Borg claims that this idea of faith rose to prominence during and after the Reformation when the various Protestant sects and the Catholic Church came to be distinguished primarily by their belief-systems. In the wake of the Enlightenment, faith came to be almost identified with the act of believing highly improbable, or at least questionable, things. Borg argues that this definition of faith “puts the emphasis in the wrong place” because it “suggests that what God really cares about is the beliefs in our heads–as if ‘believing the right things’ is what God is most looking for, as if having ‘correct beliefs’ is what will save us” (p. 30).

    – Faith as trust: Specifically, “radical trust in God.” God is the one who keeps us afloat. This means that we can relax and not be anxious because we can trust in the “sea of being in which we live and move and have our being” (p. 31).

    – Faith as fidelity: Borg describes this as a “radical centering in God.” It is ultimate loyalty to God and God’s commandment to love our neighbor as ourselves. The opposite of faith as fidelity is idolatry–putting something ahead of God as our ultimate concern.

    – Faith as vision: This is our synoptic view of reality as a whole. In particular, is God/reality hostile or indifferent to us, or is it consonant with our best interests? To have faith in this sense is to view God/reality as “life-giving and nourishing” or “gracious” (p. 35) rather than out to get us or unconcerned with us.

    Borg cites the last three understandings of faith as particularly congenial to the emerging paradigm because of their relational quality–they define the nature of our relationship with God and shape our response to God, which is lived out in love of and service to our neighbor. He also recognizes, however, that they are important to the earlier paradigm too. The problem with the earlier paradigm, he thinks, is that it over-empasizes the propositional component of faith to the detriment of the relational.

    As a Lutheran, I find Borg’s discussion of faith appealing. Whatever else it might mean, “justification by faith” can’t mean you will be saved if you can manage to believe six impossible things before breakfast. For Luther, it was radical trust in the graciousness of God that constituted “saving” faith.

    However, I’m less persuaded that this approach to faith is distinctive of the “emerging” paradigm. I think that this more relational notion of faith has always been present in the tradition at its best. Even fundamentalism goes beyond “mere belief” to “trust in the Lord” (or “accepting Jesus into your heart”). I suspect that any genuine faith includes elements of all four of the types Borg has identified.

  • Borg’s Heart of Christianity – 1

    Taking a break from the denizens of the deep, I started reading Marcus Borg’s The Heart of Christianity. This is a kind of Mere Christianity for liberal Christians, and something that people at my church have found helpful, so I thought I’d give it a read. (I’ve been critical of Borg in the past, but also appreciative of his work.)

    The agenda of this book is set by what Borg calls two “paradigms” for viewing the Christian tradition–the “earlier” paradigm and the “emergent” paradigm. Now, paradigm has been an overused concept ever since Thomas Kuhn mainstreamed it, but Borg makes a good case for there being multiple comprehensive ways of seeing the same “data”–Jesus, the Bible, and the Christian tradition. No one paradigm can claim to be the Christian tradition; they are all different expressions of it.

    So what distinguishes these two interpretations of the tradition? According the Borg, the earlier paradgim, which has been the dominant one for “the last few hundred years,” emphasizes belief, understood as assent to certain truths. The key beliefs are that God exists, that the Bible is a “divine product”–God’s revealed word–and is to be interpreted “literally,” and that Jesus is God’s Son whose atoning death makes possible the forgiveness of sins.

    According to this paradigm, the main point of Christianity is to get “saved” (understood as ensuring one’s blessedness in the afterlife) by meeting certain requirements, including having the correct beliefs about God and/or Jesus.

    So, what’s the “emergent” paradigm, then? Borg says that this is a more recent view–dating back about one hundred years–that arose in response to the challenges of modernity, especially modern science, historical criticism of the Bible, and religious and cultural pluralism. (Actually, Borg sees both paradigms as responses to modernity; he thinks the earlier paradigm adopts many of modernity’s epistemological assumptions, particularly its emphasis on “literal-factual” truth-claims.)

    The characteristic features of the emergent paradigm, according to Borg, are that it 1. interprets the Bible in its historical context, as a set of writings originally addressed to a diverse set of ancient communities; 2. focuses on the metaphorical or “more-than-factual” meaning of the texts; and 3. sees the Bible and tradition as sacramental mediators of the Spirit–that is, the Bible is sacred in status and function, not origin (inerrancy).

    The emergent paradigm, in contrast to the earlier paradigm’s focus on belief, puts a stronger emphasis on personal response and the relational nature of faith. What’s important is not so much having the “correct” beliefs (which, Borg notes, would make faith a “work” by which we are saved), but being transformed at the level of the “heart”–i.e., the deepest, most fundamental orientation of our selves.

    Given the differences between the two paradigms, does it make sense to even see them as expressions of the same religion? Borg thinks so, for two reasons. First, Christianity has always had multiple interpretations–cultural and theological diversity have been part of the Christian tradition from the beginning. Second, and more importantly, the two paradigms affirm the same central commitments:

    – the reality of God,
    – the centrality of the Bible,
    – the centrality of Jesus,
    – the importance of a relationship with God as known in Jesus, and
    – our need (and the world’s need) for transformation (see p. 17)

    Hinting at a somewhat pragmatic understanding of religious (or at least doctrinal) truth, Borg says that

    the issue isn’t that one of these visions of Christianity is right and the other wrong. Rather, the issue is functionality, whether a paradigm “works” or “gets in the way.” (p. 18)

    By “functionality,” what Borg seems to have in mind is that the tradition of which we’re a part leads to “a sense of the reality and grace of God, to following Jesus, and to lives filled with compassion and a passion for justice” (p. 18). The problem with the earlier paradigm, he says, is that for many people living today it causes unnecessary “static,” preventing them from hearing the message of the gospel.

    I already have a few questions about Borg’s approach, but I want to hold off until I see how he fleshes it out. In a future post (or posts), I’ll take a look at Borg’s exploration of the meaning of faith, the importance of the Bible, the nature of God, and other topics that he thinks require a fresh understanding.

  • Ah the world, oh the whale

    I finished Philip Hoare’s The Whale this weekend, and I highly recommend it. It’s part memoir, part natural history, part literary criticism, part social and cultural analysis, and part mystical meditation.

    Hoare traces our history with the whale, focusing on the high-tide of the American whaling industry in the 19th century, followed by the more industrial approach developed by Japan, Russia, and certain European nations in the 20th.

    Along the way, we’re treated to fascinating facts about whales such as the elaborate sounding equipment of the sperm whale and the incredibly long life-spans (200+ years!) of the bowhead. We also get character sketches of whaling magnates, amateur scientists, and others whose lives became intertwined with these legendary creatures.

    One of the key touchstones of the book, though, is Herman Melville and his epic Moby-Dick. Melville’s obsession with writing his magnum opus, which mirrors Ahab’s obsession with catching the white whale, is in turn mirrored by Hoare’s own growing fascination with the whale.

    The climax is a heart-stopping first-person description of Hoare’s close encounter with a sperm whale off the Azores Islands. Which is a fitting capstone, since it’s a book as much about human understanding–and misunderstanding–of whales as it is about the animals themselves.

    And, inescapably, it’s a story of tragedy. The ruthless hunting of the whales that was accelerated by the advent of 20th-century industrial technology has only recently been slowed and extinction averted.

    However, other man-made dangers, such as noise that scrambles the whales’ ability to find their way, ships crossing the oceans, or the changing food supplies caused by global warming, may yet doom the whale.

    While he avoids preaching, Hoare’s book is essentially a meditation on the “otherness” of the whale, a form of life that may be just as intelligent and sensitive as humanity, yet all-but-incomprehensible to us because it exists in such a radically different environment. The question before us is whether we will recognize these “other nations” or continue to treat them as resources for our consumption or expendable collateral damage in our war against nature.

  • Huxley on the Bard and religion

    Speaking of Shakespeare and Christianity, one of the best essays in the Aldous Huxley collection I recently read was “Shakespeare and Religion.” You can read it online here.

  • Stuff evangelical hipsters like

    The author of the blog (and book) Hipster Christianity asks:

    How many of these 50 books have you read? If you’ve read more than 20 of them, there is a good chance that you are a Christian with artistic or intellectual tendencies. If you’ve read more than 30 of them, you are most likely a Christian hipster. If you’ve read more than 40 of them, let me know. You could probably write the sequel to Hipster Christianity.

    Here’s his list, with the ones I’ve read in bold. Best as I can tell, a true hipster Christian must also be an ex- (or current?) evangelical. I like to think that I have artistic or intellectual tendencies (pretensions?), but I only racked up 15 14 books. I would’ve done better if his Dostoevsky choice was The Brothers Karamazov, the Faulkner was The Sound and the Fury, and Steinbeck was The Grapes of Wrath. What makes these particularly un-hip? Too obvious? Also, what makes King Lear the Christian hipster play par excellence??

    Augustine – Confessions
    C.S. Lewis – Till We Have Faces
    Walker Percy – The Moviegoer
    Dorothy Sayers – The Mind of the Maker
    G.K. Chesterton – Orthodoxy
    George MacDonald – Phantastes
    Evelyn Underhill – Mysticism
    Terry Eagleton – After Theory
    Jean-Paul Sarte – Being and Nothingness
    Tolkien – The Lord of the Rings
    Annie Dillard – Pilgrim at Tinker Creek
    Donald Miller – Blue Like Jazz
    Kathleen Norris – Acedia & Me
    Marilynne Robinson – Gilead
    Shushako Endo- Silence
    George Steiner – Real Presences
    William Shakespeare- King Lear
    Anne Lamott – Traveling Mercies
    Plato – The Republic
    Jacques Ellul – The Technological Society
    Flannery O’Connor – Wise Blood
    Chuck Klosterman – Sex, Drugs and Cocoa Puffs [I mis-remembered the Klosterman book I read, which of course was Fargo Rock City.]
    Dave Eggers – A Heartbreaking Work of Staggering Genius
    Martin Buber – I and Thou
    Neil Postman – Amusing Ourselves to Death
    Lauren Winner – Real Sex
    Douglas Coupland – Life After God
    Tim Keller – The Reason For God
    N.T. Wright – Surprised by Hope
    Fyodor Dostoyevsky – Crime and Punishment
    A.W. Tozer – The Knowledge of the Holy
    Henri Nouwen – The Return of the Prodigal Son
    Dietrich Bonhoeffer – The Cost of Discipleship
    Jack Kerouac – On the Road
    John Steinbeck – East of Eden
    Jean Baudrillard – Simulacra and Simulation
    Rob Bell – Velvet Elvis
    William P. Young – The Shack
    Shane Claiborne – The Irresistible Revolution
    Thomas a Kempis – The Imitation of Christ
    Dallas Willard – The Divine Conspiracy
    Eugene Peterson – The Message
    Paul Tillich – The Courage To Be
    Francis Collins – The Language of God
    J.I. Packer – Knowing God
    Andy Crouch – Culture Making
    Madeline L’Engle – Walking on Water
    Mark Noll – The Scandal of the Evangelical Mind
    Jim Wallis – God’s Politics
    William Faulkner – As I Lay Dying