The New Pantagruel is trying to push the boundaries of what might constitute authentically “conservative” thought by posting brief summations of various “tendencies” (ideologies would be too strong) that have existed throughout American history, but mostly at the margins. The articles are excerpts from the recently published (scratch that: forthcoming) American Conservatism: An Encyclopedia. These alternatives bear slight resemblence to what passes for mainstream conservative thought nowadays, with its lionization of the economics of Wal-Mart and the valorization of the warfare state.
Here are the pieces:
“Community” by Caleb Stegall
“Agrarianism” by Jeremy Beer
“Anarchism” by Bill Kauffman
“Localism” by Allan Carlson
I was particularly happy to see the essay by Bill Kauffman, one of my favorite political writers.
Kauffman writes:
Perhaps no political term is quite so misunderstood as “anarchy.” In the popular press, it is a synonym for disorder and chaos, not to mention looting and pillage: countries like Haiti are always being “plunged into anarchy.” The anarchist, meanwhile, is frozen into a late-nineteenth-century caricature: he is furtive, hirsute, beady-eyed, given to gesticulation, gibberish, and, most of all, pointless acts of violence. Yet anarchy, according to most of its proponents through the years, is peaceable, wholly voluntary, and perhaps a bit utopian. The word means “without a ruler”; anarchy is defined as the absence of a state and its attendant coercive powers. It implies nothing about social arrangements, family and sexual life, or religion; and in fact the most persuasive anarchists, from Russian novelist Leo Tolstoy to Catholic Worker founder Dorothy Day, have been Christians. [Kauffman, incidentally, penned an article a few years back called The Way of Love: Dorothy Day and the American Right, which connects Day’s “Catholic anarchism” to the decentralist, anti-imperialist Old Right.]
…echoes of native anarchism may be heard throughout American history: in the warnings of the Anti-Federalists about the centralizing thrust of the new Constitution; in the Garrisonian abolitionists who reviled any government that countenanced slavery; in the Populists of the 1890s, with their attacks on chartered corporations and paper wealth; in the Old Right of the 1930s, which saw the New Deal as potentially totalitarian; in the New Left of the 1960s, which denounced the military, the university, and the corporation as dehumanizing; and among contemporary libertarians, especially those influenced by the economist and anti-imperialist Murray N. Rothbard. But except for the anarchist-tinged Industrial Workers of the World, the radical labor union that reached its zenith in the early twentieth century, anarchists have never been adept organizers. For the most part anarchy in the United States has been a literary-political tendency. A very partial list of American men and women of letters who have described themselves as anarchists includes Henry Adams (a “conservative Christian anarchist”), Paul Goodman, Norman Mailer, Robinson Jeffers, e.e. cummings, Lawrence Ferlinghetti, Ursula Le Guin, William Saroyan, Dwight Macdonald, and Edward Abbey. Abbey’s novels, especially The Brave Cowboy (1956), The Monkeywrench Gang (1975), and The Fool’s Progress (1988), feature merry anarchist heroes who live by Abbey’s anarchist creed: “Be loyal to your family, your clan, your friends, and your community. Let the nation-state go hang itself.”
I myself have always had a soft spot for such “literary anarchists” – folk who despise the impersonalizing largeness of the nation-state, the corporation, and other institutions that make it difficult to live life on a “human scale.” Whether their anarchist vision is realizable or sustainable is debatable, but I think it offers a valuable corrective to the worship of power and the resort to coercion and domination (the libido dominandi as Augustine called it) that humans are entirely too prone to.